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c. 1445 – May 17, 1510. Italian painter.

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Alexander Coosemans
Fruchtestillleben mit Hummer

ID: 74962

Alexander Coosemans Fruchtestillleben mit Hummer
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Alexander Coosemans Fruchtestillleben mit Hummer


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Alexander Coosemans

(1627, Antwerp - 1689, Antwerp), was a Flemish Baroque painter. According to the RKD he was registered as a pupil of Jan Davidsz de Heem in 1641 and in 1645 he became a master in the Guild of St. Luke.He travelled to Rome in 1649 but was back in Antwerp in 1651. He painted flowers, fruit, and inanimate subjects, and flourished in the Netherlands about 1630. Fruit subjects by him are in the Augsburg Gallery and the Belvedere at Vienna. In the Madrid Gallery there is a fruit-piece attributed to a J. D. Cooseman, who is said to have flourished in the Netherlands in the 17th century: and in the Bordeaux Museum, a fruit-piece ascribed to a N. Coosman. He was followed by Hendrik Schoock.  Related Paintings of Alexander Coosemans :. | Desire | Lieder ohne Worte | Painting fashionable marriage group s visit to doctor | Landscape with Farmhouse | Still life of grapes on a pewter dish,together with peaches,nuts,a glass roemer and a silver tazza containing apples and pears,and a blue-tit |
Related Artists:
Ludwig Deutsch
Austrian-born French Academic Painter, 1855-1935
Johan Werder
Germany
HONTHORST, Gerrit van
Dutch Baroque Era Painter, ca.1590-1656 Dutch portrait, genre, and allegorical painter. In Italy (c.1610?C1620) he gained a sound understanding of the works of Caravaggio, which greatly affected his style. He was a master at painting candlelit genre pieces and biblical scenes. Upon his return to Holland, he introduced the Italian manner of illusionistic decoration into Dutch interiors, as in his decorative scheme for the palace of Honselaarsdijk. In 1628, Charles I invited him to England, where he decorated Whitehall and painted portraits of the king and nobility. Several of these are now in the National Gallery, London. He also worked for the court of Denmark, and from 1637 to 1652 at The Hague. Together with Terbrugghen and Baburen he led the influential Utrecht school of painting that introduced Caravaggesque dramatic realism into Dutch art.






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